(UN)REAL Exhibition Catalogue

What is real, and how are you sure it is so? Can you be confident in your perceptions when so many experiences are digital or influenced by the changing chemistry and architecture of your brain? Biomedical research uncovers ways that our minds and senses produce gaps between the actual and the observed. (UN)REAL, the inaugural exhibition of Science Gallery Rotterdam at Erasmus MC, presents art projects that respond to this fertile terrain between the actual and the perceived.

Biomedical research uncovers ways that our minds and senses produce gaps between the actual and the observed. How do we navigate such ‘blind spots,’ which can be exploited by trickery like fake news, but then embraced willingly to escape from reality? Researchers work to answer, as well as to complicate these questions, as we build new understanding of mental conditions such as dementia and phenomena like the placebo effect, and we advance basic research in Neuroscience. At the same time, research in fields such as Genetics and Reproductive and Regenerative Medicine is destabilizing the reality of nature as we know it.

The works presented in this exhibition, curated by William Myers, address topics including our self-perception, the possibility of female sperm, how the eye processes information, and the implications of a human-machine hybrid to produce food. These works can serve as bridges of understanding and platforms for debate, but perhaps even more important, they are welcome signs, announcing a new meeting place for research, society, art, and healthcare.

The (UN)REAL catalogue documents the work included in this exhibition at Science Gallery Rotterdam at Erasmus MC. Fully bilingual in Dutch and English, the catalogue includes essays by curator William Myers and Science Gallery Rotterdam director Fred Balvert.

Visit the exhibition site →

Editor: Original Copy
Graphic Design: Studio Spass
Client: Science Gallery Rotterdam
Translation: Tess de Ruiter, Inger van Dijk

Previous
Previous

EXIT Architecture

Next
Next

Form of Practice, Adele Naude